GORDON-LEVITT: Yeah, so now you can watch Season 1 and Season 2. These are all values that we were trying to instill in this show.Īre there any storylines in Season 2 that you are particularly proud of or really excited for people to get to experience when it launches? But allowing, allowing moments to breathe, allowing attention spans to expand. Hey, we're going to keep your attention with lots of flashy things and high-energy moments, one after the next. I wouldn't say that this is educational, it's a work of entertainment, but I think there is a very genuine care put into what will kids take away from this? Even what are the kids going to take away from this consciously and even unconsciously? What are the values that are endorsed by this? And focusing on creativity, kindness, and friendship. I think it really paid off in this case.Īnd so we wanted to do something that struck that balance, that was. Sometimes you just put your faith in a person and try to support them. But ultimately it wasn't any of the specifics. It went from there, and we spent years sort of all refining it together, and Edward Jesse, who's also on HitRecord, he's edwardtheninth, he came on as a co-creator, is a great storyteller. It's sort of maybe a bit of adventure time or Miyazaki and I have this idea." He was like, "I'd like to do something that's sort of youth-oriented, but that grownups could like too. What would you do if you could do anything? What would you do?" And knowing not at all what he would say. We just came to him and said, "You would be great at making a show. He was just an artist that always stood out to me as somebody so skilled and so heartfelt and so creative. If you're a HitRecorder, you might know him as wirrow, that's his name on HitRecord. I want to know what drew you to produce the series. Which is a concept that makes sense when you consider that Wolfboy and the Everything Factory is executive produced by Joseph Gordon-Levitt and his production company HitRecord. The central thesis of the series is to introduce its young audiences to the idea that oddballs and dreamers are agents of good. In this new world, Wolfboy learns that he can put his creative energy to good use now that he is free to let his wild imagination run free create and destruct. Created by Toff Mazery and Edward Jesse and developed by Michael Ryan, Mazery, and Jesse, the series focuses on the titular Wolfboy as he discovered a strange realm at the center of the earth where Sprytes are tasked with creating magical things like clouds, trees, dreams, hiccups, rabbits, and everything else. It is a great platform and I will combine them as much as possible.With the advent of streaming services, this generation of children has been introduced to a wide variety of new programming to grow up with, including Apple TV+'s endearing animated series Wolfboy and the Everything Factory. The Magic Circle has already helped me get my environmental message out there. “Magic for good is something I’m really passionate about. Their average age has really dropped and there are a lot of modern performers out there. She said: “A lot of people have an old-fashioned image of what a magician is and if you knew a lot of magicians you’d realise it is out of date. Swann is keen to challenge outdated perceptions about the previously male-dominated world of magic. For children I use lightbulbs, for adults I tend to use coins, to demonstrate that saving energy also saves money.” I also have a routine about saving energy as well. Swann said: “I don’t just use any old magic trick and add a message to it, I think about what gets the message across clearly. At the end of the trick the string is magically restored to convey the message that even seemingly impossible things are achievable. In one simple routine Swann outlines various threats to wildlife and the planet while tearing up a piece of string. If people can remember the magic trick they are more likely to remember the message that came with it. It engages people and it’s fun and memorable. She said: “There is something about demonstrating the message clearly and simply that really helps to get it home. Swann reckons her experience of performing for children would help convey the basic message to world leaders. It’s a really clear demonstration of the basic science behind climate change, which I’m sure they will know, but I think sometimes seeing it demonstrated really brings the message home.” She added: “I proceed to use a needle to represent the sun’s energy and it gets stuck on the ball. And that appears inside the balloon to show pumping those gases into the atmosphere.” I have a clear balloon that represents the Earth’s atmosphere and I have a black ball that represents gases such as carbon dioxide. She said: “For Cop26 I would probably do my piece that describes the basic science of climate change.
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